How to Keep Your Camcorder Steady
While Moving - for Professionals,
Broadcasters
A Guide to Camcorder Stabilization Solutions
and Technologies
February 23, 2008
Friction-Free Stabilizing
By Jack Fettman
courtesy B&H PhotoVideo
Audiences can feel they're riding sidecar
with the videographer in every scene when
special attention is given to camcorder
supports and stabilization systems. In
keeping pace with the action, a handheld
camera stabilizing system integrates the
camera's movement with the operator's
ergonomics in a graceful transfer of
inertia. Camcorder supports and
stabilization systems are essential tools
that sharpen the visual language between
director and camera operator for the
audience.
Positioning camcorders at several angles
allows audiences to view different aspects
of a scene. There is a great assortment of
flexible, smooth, friction-free stabilizing
camcorder supports available to assist us in
accomplishing the portrayal of our vision in
our video productions. Giving life to our
ideas in dramatic image capture is largely
contingent upon camera positioning. In this
article, an assortment of different models
of camcorder support will be brought to your
attention, toward the ultimate goal of
creating pleasing footage for audiences to
appreciate and enjoy.
First, special attention should be given to
a camcorder's overall weight and size,
particularly with all its attached
accessories such as a matte box, on-camera
light, and larger battery, prior to choosing
a means of support. Determining the
camcorder's overall weight and size, as well
as whether the camcorder is front- or
back-heavy, makes a difference in choosing
the most appropriate type of support, which
will affect camera balance.
There are several
options for handheld camera stabilizer
systems. Steadicam has become the benchmark,
an award-winning manufacturer to which other
handheld camera stabilizers are compared.
Steadicam camera-stabilizer rigs are the
most prevalent in the motion-picture
industry. The
Steadicam Merlin
stabilization system supports camcorders
between 0.5 to 5 lbs. The Merlin has a
unique design to provide you with an
ultra-lightweight solution that not only
increases stability and shooting options,
but can simply go anywhere.
To maintain precise maneuverable control, at
the heart of the Merlin is the patented
metal Gimbaled design, from the original
inventor and designer of the 1st Steadicam,
Garrett Brown. He also patented its
"Folding-Caliper" hinge that allows for
instant fold-up of the Merlin, with quick
return to your precise previously-balanced
position, ready for the next shot in
moments. In the fold-up position, the Merlin
can be used as an effective shoulder-mounted
support.
|
|
Watch
the Merlin in action
|
The latest
accompaniment for the Merlin is the new
Arm and Vest Rig.
This stabilizing system rig combination will
increase your shooting options for hours.
It's outfitted with six gimbaled metal
bearings, and can balance camcorders
weighing as much as 7 1/2 pounds. The
adjustable Merlin Vest will comfortably fit
the posture and shape of a small-framed
person just as well as a large-framed adult.
The vest is lightweight and thin, and can
even be worn under a tuxedo jacket, if
necessary.
Another highly
advanced professional body/vest camera
stabilization system is the
Glidecam X-10.
It is designed specifically to be used with
Glidecam's GL-2000
and
4000 Pro
handheld stabilizer systems. The X-10 system
isolates your body's motion from your
camera, while your camera is balanced in a
relatively motionless and isolated state.
The support arm can be boomed up and down,
side-to-side, or pivoted in and out to help
you create smooth camera footage. Walk, run,
go up and down stairs, shoot from moving
vehicles and travel over uneven terrain
without any visible camera shake. The
support vest is lightweight, comfortable,
and can be adjusted to fit a wide range of
operators, and the support arm can be set up
and configured for either a left-handed or a
right-handed operator.
 |
|
|
When a fast-moving
subject requires you to keep pace, your car
may heed the call and bring you up to speed.
You can find camera stabilization mounts
that will affix securely to a car, truck,
boat, and even a bike. The Bogen/Manfrotto
3292 Car Window Pod
clamps onto a car window or any other thin,
flat material similar to tempered automobile
window glass. The Window Pod has a flat base
with a 3/8" thread to accept compact Bogen/Manfrotto
tripod heads.
 |
|
|
The Bogen/Manfrotto
Car Window Mount
combination kit
includes the
701RC2
fluid head and the
3292 clamp.
The 701RC2 fluid head includes a long pan
arm, separate pan and tilt locks, and a
fixed counter-balance spring and sliding
quick-release video plate to position the
camera's uneven load perfectly. It can pan
360° and has -75° to +75° tilt movements. It
is important to note that automobile windows
vary in their robustness. Automobile side
window glass tends to be thinner,
comparatively, than windshield glass.
Stationary, the
701RC2
fluid head can support a camcorder load up
to 9 lbs. Before boosting your camcorder
with this combination, observe the strength
and vitality of the glass at every level at
which it is positioned.
The
Varizoom Auto Rig
is a comprehensive (relatively inexpensive)
professional vehicle-mount kit that can be
implemented in your cinematic feature. It
supports camcorders up to 25 lbs, and can
attach to the edge of a car door or hood.
This support is designed to maintain the
vehicle's surface integrity, while the
system's custom anti-skid rubber cups absorb
shock and vibration, and allow you to film
at various angles and extreme positions.
This system includes a heavy-duty swivel
head or can be used with most flat-base
tripod heads with a 3/8" 16 thread. Setup is
designed to be fast and easy, and no tools
are required.
 |
 |
|
|
Another well-designed
support to help facilitate a steady, even
shot with your compact video camcorder on
most uneven surfaces is the innovative,
flexible ball-and-socket jointed Gorillapod
by Joby. It is a versatile stationary
support whose three gooseneck-like legs can
be formed to grip almost any protrusion or
uneven surface, be it a lamp post, car
headrest, tree branch, or handle bars. The
SLR-ZOOM
wrap-around securing support kit includes
the
Gorillapod SLR-ZOOM
and
Slik SBH-120
compact ball head mount, which can lock your
camera angles in an unthinkable number of
positions on almost any surface. Together
they are designed to support small,
lightweight camcorders under 4 lbs.
 |
|
|
An additional
camcorder stabilizing support to help
alleviate the strain and fatigue brought
about by holding a camcorder for long
sessions is the
Varizoom VZ-LSP
camera support. It is an
ergonomically-designed, adjustable shoulder
support that has been refined by Varizoom
based on many years of field service and
customer feedback. It supports camcorders up
to 8 lbs, and provides ten adjustable
fittings to meet a variety of body types and
camera placement.
Camcorders today are
diminishing in size, and represent amazing
advances in image resolution and accuracy.
There are excellent high-definition
camcorders that literally fit into jacket
pockets. Even though these friendly units
are compact and very lightweight, supporting
them with a "low-key," unobtrusive monopod
can really save the day when filming for
long durations. While standing in the crowd
filming a musician or your child's debut on
stage, the handy monopod proves to be a
realistic and practical camcorder support
that takes up little space. The
Bogen/Manfrotto 561B
is an integrated video monopod with fluid
head that offers graceful, smooth handling
control with a minimal footprint. And if you
want to film over the heads in a crowd, or
from the edge of a bridge or cliff (be
careful!), the monopod can serve you well as
a very convincing boompole, with your
compact camera affixed. Just remember to
rotate your camcorder's LCD screen prior to
recording so it will be in proper viewing
position before lift-off.
 |
|
|
There are diverse systems available that
offer a host of functionality and mounting
possibilities with precise fine adjustment
for the positioning of your camcorder's
shooting angles and perspective.
Traditionally, the tool that holds
camcorders level with the horizon and
maintains steady unwavering support would be
a tripod system. There are differences
between the inexpensive consumer
aluminum-with-plastic-head tripods, and a
professional-quality tripod system. The
consumer tripods do serve their purpose as
economical camera supports. But if you feel
you will be using a tripod more
aggressively, you will find consumer tripods
to be more prone to vibration, hesitating
and sputtering while panning and tilting,
and eventually not lasting. It's best to
invest in a professional-quality tripod
together with a professional-quality fluid
head. Both are constructed to hold up to the
rigors of the active videographer for many
years. A worthy fluid head will have knobs
to adjust the tension of your pan (left to
right), and tilt (up and down movements)
incrementally, so that your results will
render very smooth incremental pan and tilt
movements in all your shots. The tripod,
(a.k.a. "sticks") comes in two styles,
either three tubular legs, or three
tandem-styled leg sections.
Tubular legs offer the capability of being
spread low to the ground (some as low as
3"). Tandem-styled legs offer quicker setup
because of their quick-lock mechanisms. They
are generally used to support larger
camcorder rigs. At the top of these tripods,
where the head would sit, generally there
will be either a flat base or a 75- or 100mm
bowl-base. The tripods with a bowl-base,
once extended, offer the videographer quick
and easy refined camera leveling without the
need for major adjustment to the leg levels.
This is crucial for the many events, news,
and film groups who need to get a shot fast,
for their "run-and-gun" type shooting.
The
Bogen/Manfrotto
055XDB503H
tripod system consists of the
503HDV
fluid head and the
055XDB
black aluminum-alloy, tubular-legged tripod.
The 055XDB provides quick action, lever-type
leg locks, and a minimum 7.3" low-angle
spread height from the ground. The variable
continuous fluid drag system of the 503HDV
fluid head provides -60° to +90° tilt range,
and the four-step counter-balance control
(0, 2.9, 5.7, 8.6 lbs) delivers the type of
fingertip head control normally reserved for
much more costly production fluid heads.
 |
|
|
To meet any extreme
field conditions, the
Miller SOLO DV10
tubular tripod system, would be a resilient
step-up tripod system. It consists of the
SOLO DV
2-stage carbon fiber tube-type construction
tripod, with an industry-standard 75mm bowl
base and DS-10 fluid head. Compared to
aluminum, carbon fiber tripods have superior
vibration-damping qualities, greater
resistance to nicks and corrosion, and are
easier to handle in extremely cold weather.
The SOLO DV10 system has a minimum height of
9.2", and a maximum height of 63.5" with
selectable leg angle locks that ensure
optimal torsion rigidity and stabilization
at any height. The DS-10 fluid head has a
2.5 to 10 lb counter-balance range, and
+90/-75° tilt range.
Moving into the realm of tandem-styled
tripod systems, there are three outstanding
and very noteworthy manufacturers to
acknowledge. They all support a great range
of fully-loaded professional camcorders. All
their fluid heads are extra smooth, with
variable dial-in fluid drag for jitter-free
pan movement and fluid tilt movement
adjustments. All these tandem-styled series
tripod systems incorporate fast-action stage
leg clamps for rapid, secure setup and
breakdown, and a 75mm bowl base. Their
tripod leg brace options are either a
mid-level or a floor-level spreader. A
mid-level spreader would be best suited when
filming on uneven terrain, such as stairs or
rock ledges.
The first of these
tripods is the
Cartoni HiDV1.
It supports up to 11 lbs, and has a +/-90°
tilt range. It is a very strong and smooth
tripod system that can work with the
existing HD pro handheld camcorders: HDV,
DVCPRO HD, and XDCAM EX. You can position
the head to film straight up or straight
down. It has a patented variable
counter-balance system and continuous
adjustable fluid drag.
The
Vinten Protouch
PRO-06-HDVM
supports up to 13.2 lbs and is a perfect
solution for supporting the ever-increasing
range of professional handheld camcorders.
Its lightweight fluid head provides smooth
movement and has a 3-step, plus zero stepped
counterbalance. This system enables
professionals on a tight budget to use a
high-performance tripod system that will
maintain a professional look and feel in
their work.
Sachtler is a renowned
tripod manufacturer with whom most
professional videographers in the industry
have been reared. Its quality workmanship,
precise control, and endurance have earned
it great respect in the industry. Its
FSB-6
tripod support system has a load capacity
between 2.2 - 13.2 lbs and has a dynamic
10-step counter-balance system to ensure
extremely fine and fast balancing, and
friction-free levels of drag while panning.
Camcorder mounting possibilities are
immense, and they offer the additional
relief from fatigue brought about through
awkward or extended handheld filming.
There is a great risk of camera shake and
hand vibration when filming hand-held. You
could have great content, but if your
footage is unstable, your audience could
lose interest and may feel motion sickness.
You can establish your shot indoors, and
then follow your subject smoothly in
sequence outside and down the street with
many of these support systems. Often, you'll
make a better film if you keep your shots
simple, rather than out-of-the-ordinary.
There is a diverse array of quality,
flexible, and durable support systems to
take advantage of that will meet the demands
of developing your perfect shot, in all your
shooting applications.